Sunday, May 20, 2012

Neil Gaiman's Commencement Speech

Here is Neil Gaiman's wonderful speech on working in the arts and living the artistic life.

Video and transcript here: (link)


h/t to Dean Wesley Smith for the heads-up.

Choice excerpts:


I learned to write by writing. I tended to do anything as long as it felt like an adventure, and to stop when it felt like work, which meant that life did not feel like work.

...

You have the ability to make art.

And for me, and for so many of the people I have known, that's been a lifesaver. The ultimate lifesaver. It gets you through good times and it gets you through the other ones.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do.

Make good art.
...

And Fifthly, while you are at it, make your art. Do the stuff that only you can do.

...the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.

The moment that you feel that, just possibly, you're walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That's the moment you may be starting to get it right.



...

When I agreed to give this address, I started trying to think what the best advice I'd been given over the years was.
And it came from Stephen King twenty years ago, at the height of the success of Sandman. I was writing a comic that people loved and were taking seriously. King had liked Sandman and my novel with Terry Pratchett, Good Omens, and he saw the madness, the long signing lines, all that, and his advice was this:

This is really great. You should enjoy it.

...

That was the hardest lesson for me, I think: to let go and enjoy the ride, because the ride takes you to some remarkable and unexpected places.

...

To all today's graduates: I wish you luck. Luck is useful. Often you will discover that the harder you work, and the more wisely you work, the luckier you get. But there is luck, and it helps.

...

The old rules are crumbling and nobody knows what the new rules are.
So make up your own rules.

...

So be wise, because the world needs more wisdom, and if you cannot be wise, pretend to be someone who is wise, and then just behave like they would.

And now go, and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make good art.

(edited to add links. Oops!)

Tuesday, May 15, 2012

In Media Res...

Time for a progress report!

Current stories I'm actively putting pages on:

1 - 30 pages and counting, and I think I just hit the middle of the story. That means...60, 70 pages total.

*30-some pages to go.

2 - 16 pages, and yep, in the middle again. If I can bring this one in under 30 pages, I'll be happy. (I was aiming for this to be fun, quick, and short, as in 20 pages. Sigh.)


*15 pages to go.

3 - 37 pages and I think I'm still in the beginning. This may be my next novel(la), or in the queue to be written.

*?? pages to go.


Candace Havens's latest FAST DRAFT workshop is on right now, so I'm going to see if I can't catch a bit of the energy to write a novel for May in the meantime...

Sunday, May 13, 2012

Dean Wesley Smith's Advice for Beginning Writers

You wanted to know what I tell beginning writers? I tell them to write a lot of books and stories as quickly as possible, never rewrite (because they don’t know how yet), either indie publish or get in the mail to editors, and keep learning as much and as fast as possible. I tell them to read every how-to-write book they can find, listen to every old pro they can listen to, study business and then study small business. And not get in a hurry. Expect the process to take as long as getting a graduate degree would take. Six to ten years. If they work hard at it. If they don’t, it will take longer or maybe never happen.

Friday, May 11, 2012

Oh, how the times have changed: agents

"My agent at the time did not care for the story, but—as she said in her note at the time—her job was to sell it, not to like it."

-Shirley Jackson

Thursday, May 10, 2012

Wordpress bloggers, a question

I don't get it. It's either a background update that changed settings and people don't know, or they all switched over to registered comments, but it's really, really annoying. I can't post a comment without registering and it's not like I can do a verification code to do it, so those of you with Wordpress blogs, what's going on?

Wednesday, May 9, 2012

Nothing to add, because I mostly agree

Zoe Winters posts about not cross-promoting one's different pennames. Meaning, not doing promotions trying to introduce readers to one's various pennames. I agree. Keep the information available for readers who are *interested* in learning if you have other stuff, but even then the crossover will probably be low, and the number of fans who want to rabidly read everything an author writes is even lower.

She also talks about writing first, and then farting around on the internet. Also agree. Writing, when you come down to brass tacks, is not exactly digging trenches or mining coal. It's neither physically dangerous nor life-threatening even when it can be physically and emotionally taxing.
* * * 

If you are a full-time writer or want to be one, and you don't write at least a page a day on average, then you don't really want to be a full-time writer. At least, not at that time. Life can throw some curve balls at you, and you work around it the best you can, and write when you can. When you're not dealing with curve balls and yet you're not writing...

Skills don't come just because you want to have them. You acquire skill by working for it, and that only gets done one way: write. No excuses.

* * *


Amanda Hocking notes that she has learned that she prefers to publish completed series, rather than publishing as she goes.

I feel the same way, and for the same reasons:

1. too many people in my writing space jabbering with their critical/want-need voices and crowding out my dreamspace, and

2. being able to see the series through to the end, instead of having orphaned series due to the writer having burnt out on the world due to #1.

(The Outrunning Zombies series is currently in limbo because I STILL have other people in my dreamspace about it and can't hear my own voice or the story over the din of other voices.)



* * *

I never planned on writing for Harlequin even when I was aiming for tradpub, and now I probably never will, as their contracts and financial shenanigans have gotten worse over the years. See Ann Voss Peterson's guest post at Joe Konrath's blog for a look at a typical Harlequin writer's numbers (and read the comments from other Harlequin writers!). From what I hear and read, their e-press is amongt the worst in class in e-presses in contract terms, and that, my friends, takes some work considering the e-presses out there.

Tuesday, April 24, 2012

Free story! Unexpectedly. :)

Ahh, the forces of anthologies and sampling combined to bring readers an unexpected treat. :)

I just tried the sample download from Amazon for the Ten Collected Stories, and guess what?

You can read an entire short story of mine for free. (At least at Amazon.)

You get all of "One Last Look", a dystopic/peri-apocalyptic YA short story, and a good bit of the second story in the collection, "The City in the Desert".  The sample ends on sort of a cliffhanger, but I had nothing to do with it, I assure you, aside from writing it.


I am feeling much too lazy to have the publisher reformat the anthology to put in a longer story first, so enjoy the story, and let me know what you think of it. :)